Catherine Hyland

The Traces Left Behind

The Traces Left Behind

  • Dorothea Lange-Paul Taylor Prize - 2020 - Finalist - Duke University - Center for Documentary Studies
  • CENTRE Santa Fe - Excellence In Multimedia Award
  • Creative Review Photography Annual winner of Best in Book 2019
  • AI-AP American Photography 36 Winners

Rituals and gestures bond us as humans. These small traces of our identity connect us to tradition, family and heritage. They enrich our lives and provide comfort. From these small moments comes profound understanding.

New Malden, a suburb of South London has the biggest community of North Koreans outside of the Korean Peninsula. Around 600 defectors have settled here to build a new life, free from the regime. Defectors live complicated lives, traversing the gulf between then and now. People defect for political, ideological, religious and economic reasons. The brutality of the regime is impossible to imagine, starvation, propaganda and political pressure and punishments are just some of the extreme problems they face daily. Everything is decided for you. Free will does not exist. Even after you defect, the psychological and cultural adjustment can be hard; due to the extreme conditions people are used to. The film & photographic series, explores how rituals connect us in times of change and displacement.

The disparity between the media and reality is vast and we hoped the project could be a platform for these women to share their stories on their own terms. We wanted to enable them to share their experiences not only as defectors, but also as women, as elders, as musicians and most importantly as a community.

Collaboration with Gem Fletcher & Danny Hyland

More Projects

See all